Lost found movie sound track cello

Lost & Found () - Soundtracks - IMDb

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2cellos please

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This is just a small sampling of some of the most popular movie soundtracks that have used Beethoven's work. Written for Archduke Rudolf between and , this concerto has many lively orchestral phrases as well as soft piano features for filmmakers to choose from. Many musical scholars still contend that it is one of his best works. Written in three movements, each offers filmmakers many inspiring sections, from quick action to mellow contemplation. The opening of Movement 2, the "Adagio cantabile" is particularly popular, especially for highly dramatic moments in a film.

In his lifetime, Beethoven wrote 16 string quartets. When looking for a dramatic effect, filmmakers can rely on these well-known and highly acclaimed pieces of music.

The layering of cello, viola, and the stimulating violins can easily give any soundtrack new life. Written between and , "Beethoven's Symphony No. It is the "da da da dum" orchestral piece that even people who aren't familiar with classical music know very well. Beyond the well-known first movement, "Allegro con brio," there are other fascinating sections of this symphony that you will recognize in countless films. Each of these movies features the second movement, "Allegretto," which has a strong emphasis on the strings and is a lively melody that is tossed back and forth between the main string sections.

I can also bounce back and forth between low and high notes, which, with a lot of delay, sounds like I am playing the treble and bass at the same time. I use this affect between my bigger numbers. It always dazzles the crowd.

I use background tracks in my bigger numbers, which, along with my bass lines, are amplified by a powered sub-woofer. I use a speaker combo amp for my high notes. Eric Jensen, who lives in Seattle.

The sixth string would be a low E-string extension so that I could match guitarists in bands, who all have a low E-strings too. It could be caved in there, and the instrument could go sideways.

2cellos please

Then I would fix my devices to it, just like medieval knights, who fixed devices to their helmets in tournaments. MS : You can see it on my website. I had a Canadian maker, Dominick Zuchowicz, build it. I wanted a cello that I could just whale on and it certainly does the job.

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When I hit certain notes, like A and D, the drone strings are triggered and the cello really cranks. I love having all these different kinds of cellos in my arsenal. TJ: You mentioned wearing a kilt. In looking at the pictures on your website, you seem to like wearing dramatic outfits in your performances. MS : I like to wear all sorts of costumes and inhabit different characters.

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Naturally, I dressed up as a futuristic pirate. I also have some golden armor. My armor would probably be something that one might find in the Renaissance era. The Greek warriors of B.

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But the shoulder part is very much from the late 16th Century Italian era. When you put the two together, you get something that would have been worn in a parade during the Renaissance. I love mixing styles. I wear leather pants and giant rocker boots with my golden armor, which is like a mixture of Road Warrior and ancient times. I have some great costumiers working on some ideas for my Las Vegas show that will reflect my ideas.

I love the idea of mixing ancient past with the futuristic.

I mount my instrument to my armor so that I can run around while I play. The armor is meant to terrify my enemies and dazzle the women. I asked John if I should bring my armor. My armor fits in perfectly into the ambiance of this music. MS : Yes, classical music became totally irrelevant in my life.